Here's a little slice of the music pie I ate in 2013.
By Michael Borrelli
Published December 30, 2013
When Ryan asked me to review some of the year's best music, it occurred to me that Megan and I had consumed considerably less music in 2013 than in previous years.
Now exposed to a smaller sample of new independent pop and rock music than when we had the CFMU library at our disposal, I'd still guess we heard a lot of the really good stuff that came up through friends' recommendations and reading the odd blog (NPR's First Listen being among the best at streaming new albums worth hearing).
Anyway, instead of recounting to you a whole ordered list of the best of 2013, I thought I'd note a few of my favourites and their intersection with some of the selections of the influential list-makers. So let's start with consensus picks by some big-guns:
Don't fear the hype - this album is still for you. Despite leading with a huge global marketing campaign for their fourth full-length, this is still an Arcade Fire album above all else, so the critical and popular acclaim has deservedly followed.
With Reflektor, the veteran Montreal group has had their Radiohead moment - the point where a band is big and respected enough that they can just do what they want and music execs just nod and smile because the band moves units.
Maybe because they've crystallized their sound by now, this disc's best tracks are the ones where they sound like other bands, most notably The Smiths on "You Already Know" and The Clash on "Flashbulb Eyes".
Although Neko Case has been putting out solo albums for almost 15 years, she's probably best known for her immediately recognizable vocal contributions to Vancouver-based The New Pornographers. I think her sixth solo studio album is her best to date and it has already popped up on numerous best-of lists. Take a listen to this track, which you wouldn't be blamed for thinking is a New Pornographers power-pop standard.
Like all albums by this NYC-by-way-of-Cincinnati quintet, appreciation grows with time - usually over repeated listenings through the deep of the winter. Maybe that's why Canadians loved this disc enough to push it to the top of CBC Music's list of best 2013 rock albums.
There are certainly enough good tracks to draw you back again and again, but if you're like a lot of people, it's this simple yet utterly devastating tune near the album's end that will keep haunting you. Watch them perform it live on CBC's Q:
The mavens of cool over at Pitchfork placed NYC's Vampire Weekend's contribution at the top of their top-50 list, which is surprisingly consistent for the blog that first pumped the band when they released their first LP in 2008.
Personally, Vampire Weekend's world-music and varsity antics don't do a lot for me, but Megan digs their sound and I can't deny that I sang along with more than a few tracks on this album. My fave was this one where the band borrows a classic to deliver some clever wordplay.
While I grumpily reject the preciousness of Vampire Weekend, I wholeheartedly embrace the impishness of this group of California lads. Their '60s throwback routine is well-timed and this album is soaked with nostalgia for psychedelic-pop. Unfairly relegated to long-lists, I think the bevy of catchy melodies and lyrics are worth your time.
This Toronto band is centred around singer-songwriter Jonas Bonnetta and has a rotating cast of characters plucked from some of Ontario's best indie bands. Evening Hymns incorporates some neat production tricks that crank-up the atmospherics for an otherwise guitar-based folk album. Perhaps the best example is this slow-burning track:
The album I listened to most in 2013 was definitely this one by multi-instrumental Portland ensemble Typhoon. Troupe-leader Kyle Morton suffered from Lyme disease as a (slightly) younger man and this introspective disc showcases his wry reflections on the affliction.
My favourite is this cute little play on Morton's own name and a logical gap whereby he argues his own immortality into the furnace of an ever-expanding Sun.
And there's Common Sentiments, which sums up the album's theme of powerlessness with a flourish:
So there's a little slice of the music pie I ate in 2013. Music lovers should also check out a bunch of other lists so they can healthfully round out their musical meals. Happy 2014, everyone!
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